L’UOMO È FINITO - L’ORIZZONTE È INFINITO

A sculptural plaza: how much space does the feminine occupy? What landscapes are denied to feminized bodies, what horizons amputated? A marble obelisk is scaled to female height—ending precisely at my genital level—repositioning a colonial‑patriarchal symbol into a sensitive topography, a negative space between the legs. Surrounding it, tulle flows in waves—not decoration, but anti‑monument: a poetic counter‑architecture. The feminine erupts as horizontal force—a tide decentering gaze and redefining symbolic geography. A feminist spatial choreography for perspectival justice.

Featured in the exhibition TU MI CHIAMI A COMPIERE UN ATTO D'AMORE