I am a multidisciplinary artist working at the intersection of visual arts, political activism, and theoretical research. My practice is activated through sensitive devices—the word, the body, the image, matter, relationships—and manifests across a plurality of languages including writing, sculpture, photography, painting, performance, and public art.

Rooted in feminist genealogies of thought, my research operates as a critique of power structures that produce gender, hierarchize subjectivities, and discipline bodies. In an act of situated consciousness, I investigate the political and cultural history of women, the symbolic and material asymmetries between the masculine and the feminine, and the systemic violence exerted on female and feminized bodies.

In response to architectures of domination—patriarchal, capitalist, racist, and ecocidal—I conceive art as a practice of radical self‑defense, a gesture of care, and a generative space of sensitive justice. To “militate” through feminist art is, for me, a form of embodied activism: a relational impulse of epistemic insubordination against all forms of colonialism—symbolic, linguistic, sexual, aesthetic, imaginary—that demands new paradigms of post‑patriarchal, de‑hierarchized, meta‑gender existence.

Words are bodies; images are prophecies. My work explores the dissent of desire, is empowered through vulnerability, and aims at joy as a transformative affect. I believe in a rhizomatic and planetary feminism, as an ethical and political project of justice for all. Art, for me, is a vocation: my calling to the world, my pledge. In the transfeminist struggle, which entwines and embraces all other contemporary struggles, I recognize the profound meaning of my existence.